Responses: 6
Thank you my friend SGT (Join to see) for making us aware that on January 27, 2010 that WWII Army intelligence veteran and American writer Jerome David Salinger who is better known as J.D Salinger died at the age of 91.
J.D. Salinger Doesn't Want To Talk
https://www.youtube.com/watch?v=mxVRPbhtxRg
Images:
1. JD Salinger at left - Salinger's Army Intelligence Work in World War II
2. J. D. Salinger's Band of Brothers
3. J.D. Salinger working on 'Catcher in the Rye' during World War II
4. The Catcher in the Rye by J.D. Salinger
Background from {[https://www.independent.co.uk/arts-entertainment/books/features/jd-salinger-life-catcher-in-rye-books-anniversary-franny-zooey-raise-high-roof-beam-john-lennon-a8699026.html]}
If he were still alive, JD Salinger, the world’s most famous literary hermit, would surely turn his back on any brouhaha surrounding his centenary in 2019.
The Manhattan-born author notoriously went into suburban seclusion in the town of Cornish, New Hampshire, soon after the publication of his best-selling 1951 novel The Catcher in the Rye. Throughout the following years he would utter the plea “why can’t my life be my own?”. He also complained bitterly to close friends about the “damn people” who sent him invitations to social events.
“My father hated birthdays, holidays, and pretty much any planned or culturally mandated celebrations, and he’d certainly hate this centennial,” Matt Salinger, the 58-year-old actor who appeared in Revenge of the Nerds and Captain America, told the Associated Press recently. He was commenting after the announcement that the New York Public Library will open a major exhibition in October featuring “manuscripts, letters, books and artefacts from Salinger’s archive”. Little, Brown Book Group are also staging events across America next year to mark the anniversary of the author’s birth on 1 January 1919.
When Salinger died on 27 January 2010, aged 91, he was described as “a recluse” in virtually every report. Although he spent much of his adult life trying to avoid interviews, the term is not an accurate description the famous author. Jerome David Salinger, who went by the name Jerry, played up to a loner image. He may have described himself to a friend as “a perennial sad sack”, but he was an active socialite as a youngster (frequenting the glitzy Stork Club in New York) and even toyed with the idea of becoming an actor.
In 1941, after leaving a creative writing course at Columbia University, he worked for three weeks as the entertainment director of the cruise liner MS Kungsholm. In that role, Salinger was responsible for helping to make sure the 1,500 passengers sailing round the West Indies were having fun. He organised games of deck tennis and danced with unattached ladies who were on board. His career in showbusiness was brought to an end that year when the Kungsholm was requisitioned by the US government for use in the war effort. When Betty Eppes, a reporter for The Baton Rouge Advocate, asked him what he had been like as the ship’s jolly entertainer, Salinger sidestepped the question.
In the spring of 1942, Salinger was drafted into the US army. The Second World War was a defining experience and the horrors he witnessed left him with mental scars for life. “I have survived a lot,” he said, although he never talked publicly about what he had seen at a concentration camp. Salinger served as an infantry man and in counter-intelligence and participated in the assault on Utah Beach as part of the D-day landings. He was present during the brutal and bloody Battle of Hürtgen Forest in late 1944. “You never really get the smell of burning flesh out of your nose entirely, no matter how long you live,” he told his daughter Margaret.
According to Kenneth Slawenski, one of Salinger’s biographers, the traumatised young soldier was sent to hospital at the end of the war, for what would now probably be diagnosed as post-traumatic stress disorder. While undergoing treatment, he met a half-German, half-French woman called Sylvia Welter and they were married within weeks. The union lasted just eight months and ended abruptly when he discovered she had been a Gestapo informant during the war. He annulled the marriage and cut off all contact.
During those army days, Salinger had worked away at writing short stories and his resolve to be a writer had been strengthened by meeting Ernest Hemingway, who was in Europe reporting on the war. After returning to America, Salinger continued to work on his novel about a character called Holden Caulfield. The character first appeared in the short story “I’m Crazy”, which was published in Collier’s magazine in 1945. The Catcher in the Rye was first published on 16 July 1951 and has since sold more than 70 million copies.
The celebrated opening of the novel – “If you really want to know about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap.” – enraptured readers and helped make the book an instant success. Salinger did not like the fame that came with a hit book. The same man who went to London in 1951 and drank cocktails at the home of Laurence Olivier and Vivien Leigh disliked the idea that he was now public property. Over the next two years, he decided that his only chance to continue a life dedicated to writing was to eschew celebrity life and New York’s literary cliques. “Contact with the public hinders my work,“ he said. In 1953, on his birthday, he left the city to live in a secluded 90-acre rural compound in Cornish.
Who said it?
Although the Salinger myth is of the oddball introvert, his early life in the tiny rural town was filled with socialising, especially with young women. Some of his biographers believe this fondness for young girls started with his love for 16-year-old Oona O’Neill, the daughter of playwright Eugene O’Neill. While Salinger was away on war duty, O’Neill became the fourth wife of the 54-year-old film star Charlie Chaplin. Salinger was devastated and wrote her a stinging letter of rebuke, in which he reportedly drew a cartoon of Chaplin holding his penis as he chased after Oona.
His 1950 short story “For Esmé – with Love and Squalor” was inspired by Jean Miller, the young girl who was 14 when they first met. She later became his lover. “Jerry Salinger listened like you were the most important person in the world,” Miller told his 2013 biographers David Shields and Shane Salerno. “I felt very free with him.”
His 1950 short story “For Esmé – with Love and Squalor” was inspired by Jean Miller, the young girl who was 14 when they first met. She later became his lover. “Jerry Salinger listened like you were the most important person in the world,” Miller told his 2013 biographers David Shields and Shane Salerno. “I felt very free with him.”
In his first year in Cornish, the 34-year-old Salinger spent a lot of time hanging around with local teenagers. He bought them food and drinks at a soda bar called Nap’s Lunch and would take them to ball games in his old army Jeep. He often invited them to his house to listen to music (he was a fan of Billie Holiday and showband tunes) where they would drink coke and eat crisps. He would get them to join in games that involved a Ouija board he nicknamed ”Pierce“.
His favourite teenager was 16-year-old blonde Shirlie Blaney. “He seemed to love having us around ... he was just like one of the gang,” she later told Shields and Salerno. They claimed the writer was having a relationship with the Vermont high school student, which would certainly explain why he broke his rule about giving interviews and allowed her to quiz him in 1953 for her school magazine. In the article, she described the half-Jewish son of a cheese salesman as a “tall and foreign-looking man”. Blaney quoted Salinger as saying he was considering moving to London to make a movie. Her feature appeared in the local The Claremont Daily Eagle and was then picked up for syndication across America. Salinger was furious and apparently never spoke to her again.
According to another biographer, Paul Alexander, he had a standard pick-up line in these years. “I’m JD Salinger and I wrote The Catcher in the Rye,” he would tell women. The line seemingly worked with a teenager called Claire Douglas, whom he met at a party in New York in 1954, shortly after he stopped seeing Blaney. She fell in love with the author and was persuaded to drop out of school and live with him. When Salinger wed London-born Douglas in February 1955, there was no reference to his first marriage in the documentation. They stayed married for 12 years, during which time they had two children, Margaret and Matthew. Margaret was born in 1955, the year her father’s stories Franny and novella Raise High the Roof Beam, Carpenters were published in The New Yorker.
Life as the daughter of the famous author was bizarre – not least because he would lecture her at length on the correct way to chew food. Margaret’s memoir from 2000, Dream Catcher, describes growing up in an atmosphere of emotional coldness. Although Salinger had resented being sent away during his childhood – he particularly detested his time at the Valley Forge Military Academy – he was unsympathetic when his daughter rang from her boarding school to plead for help when she was ill and lonely. Salinger cut her short and instead sent her a subscription to The Christian Science Journal.
Her book also details some of his weirder traits, including his belief in the therapeutic powers of his energy-capturing orgone box, his obsession with homeopathy and a fad he went through of drinking his own urine. Her brother, five years her junior, dismissed his “troubled” sister’s propensity to tell “Gothic tales of our supposed childhood”.
Margaret’s book was published two years after a tell-all memoir by Salinger’s former lover Joyce Maynard, who was 18 when she left college to live with the 53-year-old writer in 1972. After eight months, she was unceremoniously dumped. “He put two $50 bills in my hand and instructed me to clear my things out of his house and disappear,” she recalled. Maynard, who is now 65, said in an interview in September 2018 that she had been vilified for her revelations. She said she hoped the #MeToo movement would allow her story to be seen in a different light. Among the odd revelations in Maynard’s book At Home in the World is that Salinger had a rigid diet that involved eating frozen peas for breakfast.
Two people who could have shed real light on his character – his sister Doris, a fashion buyer at Bloomingdale’s, and his long-term friend, the writer SJ Perelman – never talked publicly about Salinger. His second wife Claire also declined to write a book about her life with Salinger and his interest in strange philosophies, including one that suggested that women were impure. “We did not make love very often. The body was evil,” his wife Claire said.
His obsessions took a toll on Claire, who divorced him in 1967. Lady Douglas of Kirtleside, a relative from the UK, later revealed she had been concerned about her niece’s welfare with Salinger. “They were living in something like a hut at one stage with no running water, and Claire had to go about carrying buckets of water,” Lady Douglas told The Scotsman in 2010, speaking after Salinger’s death from natural causes. “She got fed up with it all and had several miscarriages. She ended up becoming a sort of women’s libber, burning bras across America. After that, we lost touch.”
Support free-thinking journalism and attend Independent events
A better image of Salinger comes through the 50 letters and four postcards he sent to Londoner Donald Hartog from 1986 to 2002. Salinger met Hartog in 1937, when they were both 18 and studying German in Vienna, and they remained lifelong friends. Salinger wrote to his friend describing his life in more everyday terms.
There were letters about cultivating his vegetable garden, about his appreciation of England’s World Cup team and in praise of tennis player Tim Henman. Salinger also told Hartog he wanted to visit Whipsnade Zoo, that he enjoyed the TV series Upstairs, Downstairs and that he loved flame-grilled Burger King whoppers. He also liked to relax by watching Marx Brothers and Alfred Hitchcock films and doing crossword puzzles. Belying his image as a misanthrope, he also told his old friend about an “oddly pleasing” trip he had taken to Niagara Falls, and how his fellow tourists were “more often than not interesting and nice company”.
Salinger never spoke publicly about politics, but in this correspondence, he offered his private opinions of legislators. He described US politicians in general as “an odious bunch” and talked approvingly of Mikhail Gorbachev’s election as president of the Soviet Union. He referred to President Ronald Reagan and George Bush in 1988 as ”the outgoing dummy and the incoming dummy”.
The year Bush was elected, 65-year-old Salinger (who described his appearance at the time as “white-haired and creasy”) married Colleen O’Neill, a 25-year-old nurse who was the director of the annual Cornish town fair. They remained together for the final 22 years of his life, as he grew older, more infirm and very deaf. Salinger refused to wear a hearing aid and at the Railway Station restaurant where he ate regularly. A waitress recalled that she used to have to write down instructions on a dry-wipe board he carried with him.
Salinger’s widow still lives in Cornish and in 2016 bought the town’s General Store for $288,000. “My interest is to get this store back up and running,” she told the local Cornish Valley News. “This will be a place for people to run into each other, have a coffee and chat.”
O’Neill was protective of her husband’s privacy, particularly when he was pestered by admiring fans or pursued by reporters trying to trap him into interviews. He admitted that he wasn’t even able to answer the telephone “without unconsciously gritting my teeth”.
The paranoia about unwanted visitors can only have increased after the events of 1980. The Catcher in the Rye had become the bible of alienation for a generation of disaffected teenagers and in December 1980 its vast popular appeal was shown to bring its own problems. Mark David Chapman was carrying a copy of The Catcher in the Rye when he was arrested for killing John Lennon and he told police that “this extraordinary book” would help people to understand why he had shot the former Beatle. He cited the novel as “his statement”.
The Catcher in the Rye was also found in John Hinckley’s hotel room after he was arrested for attempting to assassinate President Reagan. None of the subsequent debate about the novel made Salinger feel any more disposed to deal with what he called the public’s “intrusive” interest in his life.
The image of him as the lonely writer was cemented in 1988 by a snatched photograph in which Salinger looks haunted and alarmed. The picture inspired Don DeLillo to write Mao II, in which the protagonist Bill Gray is a famous author-recluse who has spent years endlessly rewriting the same book. “When a writer doesn’t show his face, he becomes a local symptom of God’s famous reluctance to appear,” DeLillo wrote.
The Salinger “industry”, something he abhorred, has cranked up in earnest since 2010. A 2013 headline in The Atlantic read “On the Trail of JD Salinger’s Testicle”, above an article reporting on the news that two women had “independently confirmed” Shields and Salerno’s claim that Salinger only had one testicle. They conjectured that fears over talk of his sole ball was one of the reasons he became a recluse.
Salinger is still a cultural reference point. In the brilliant animated television show BoJack Horseman, Salinger’s character is voiced by Alan Arkin. Perhaps Salinger, who adored the TV comedy series I Love Lucy, would appreciate the satire of his fictional cartoon-self devising a game show called “Hollywood Stars and Celebrities: What Do They Know? Do They Know Things? Let’s Find Out”.
A federal court once banned the late Ian Hamilton’s biography of Salinger, which prompted him to write In Search of JD Salinger, a book about his thwarted attempt to write Salinger’s life story. Canadian novelist Mordecai Richler, reviewing the book for The New York Times in 1988, brought a writer’s perspective to the subject. “According to a neighbour, JD Salinger is said to rise at 5 or 6am in his home in Cornish, NH, and then walk ‘down the hill to his studio, a tiny concrete shelter with a translucent plastic roof,’ and spend 15 or 16 hours at his typewriter. Later he may watch one of his vast collection of 1940’s movies. Hardly the stuff of drama.”
His last published work, “Hapworth 16, 1924”, came out in 1965. In his will, Salinger suggested that some of his unpublished works could be out by 2020. It has been reported that Salinger left five new Glass family stories and a novella based on his relationship with his first wife, Sylvia, in the form of a counter-intelligence officer’s diary entries during the war. He also left a story-filled “manual” about the Vedanta religious philosophy; and fresh tales about Holden Caulfield. There has also been talk of long novels produced during those marathon stints in his bunker.
It is unlikely anything new will match the exuberance of The Catcher in the Rye, which still sells a quarter of a million copies a year. Perhaps we will never find out how good his writing from those lonely years was or whether Gore Vidal was right to suggest that Salinger’s enigmatic exile lent his work a seriousness it didn’t deserve.
Salinger’s children and widow have not confirmed any new books. Instead, his son recently urged people to focus on work already in the public domain. “I would love for more people to read his last two books, Franny and Zooey and Raise High the Roof Beam, Carpenters and Seymour: An Introduction, for I hear his voice the clearest in these,“ his son Matt said recently. ”He loved writing and he loved his readers, and I hope his readers will be glad for an excuse to remember him in this way.”
In one of his rare interviews, which Salinger volunteered to The New York Times in 1974, he talked about the importance of his books, rather than his image as a loner. “I’m known as a strange, aloof kind of man,” he said. “But all I’m doing is trying to protect myself and my work."
FYI COL Mikel J. Burroughs SMSgt Lawrence McCarter SPC Michael Duricko, Ph.DSGT Denny Espinosa SPC Matthew Lamb LTC (Join to see) PO1 William "Chip" Nagel PO2 (Join to see) SSG Franklin Briant Kate WatsonPO3 Scot StClairSGT Herbert BollumMGySgt (Join to see)SPC Steve IrvineMSgt James Clark-RosaSMSgt Mark Venezio1st Lt Padre Dave Poedel
J.D. Salinger Doesn't Want To Talk
https://www.youtube.com/watch?v=mxVRPbhtxRg
Images:
1. JD Salinger at left - Salinger's Army Intelligence Work in World War II
2. J. D. Salinger's Band of Brothers
3. J.D. Salinger working on 'Catcher in the Rye' during World War II
4. The Catcher in the Rye by J.D. Salinger
Background from {[https://www.independent.co.uk/arts-entertainment/books/features/jd-salinger-life-catcher-in-rye-books-anniversary-franny-zooey-raise-high-roof-beam-john-lennon-a8699026.html]}
If he were still alive, JD Salinger, the world’s most famous literary hermit, would surely turn his back on any brouhaha surrounding his centenary in 2019.
The Manhattan-born author notoriously went into suburban seclusion in the town of Cornish, New Hampshire, soon after the publication of his best-selling 1951 novel The Catcher in the Rye. Throughout the following years he would utter the plea “why can’t my life be my own?”. He also complained bitterly to close friends about the “damn people” who sent him invitations to social events.
“My father hated birthdays, holidays, and pretty much any planned or culturally mandated celebrations, and he’d certainly hate this centennial,” Matt Salinger, the 58-year-old actor who appeared in Revenge of the Nerds and Captain America, told the Associated Press recently. He was commenting after the announcement that the New York Public Library will open a major exhibition in October featuring “manuscripts, letters, books and artefacts from Salinger’s archive”. Little, Brown Book Group are also staging events across America next year to mark the anniversary of the author’s birth on 1 January 1919.
When Salinger died on 27 January 2010, aged 91, he was described as “a recluse” in virtually every report. Although he spent much of his adult life trying to avoid interviews, the term is not an accurate description the famous author. Jerome David Salinger, who went by the name Jerry, played up to a loner image. He may have described himself to a friend as “a perennial sad sack”, but he was an active socialite as a youngster (frequenting the glitzy Stork Club in New York) and even toyed with the idea of becoming an actor.
In 1941, after leaving a creative writing course at Columbia University, he worked for three weeks as the entertainment director of the cruise liner MS Kungsholm. In that role, Salinger was responsible for helping to make sure the 1,500 passengers sailing round the West Indies were having fun. He organised games of deck tennis and danced with unattached ladies who were on board. His career in showbusiness was brought to an end that year when the Kungsholm was requisitioned by the US government for use in the war effort. When Betty Eppes, a reporter for The Baton Rouge Advocate, asked him what he had been like as the ship’s jolly entertainer, Salinger sidestepped the question.
In the spring of 1942, Salinger was drafted into the US army. The Second World War was a defining experience and the horrors he witnessed left him with mental scars for life. “I have survived a lot,” he said, although he never talked publicly about what he had seen at a concentration camp. Salinger served as an infantry man and in counter-intelligence and participated in the assault on Utah Beach as part of the D-day landings. He was present during the brutal and bloody Battle of Hürtgen Forest in late 1944. “You never really get the smell of burning flesh out of your nose entirely, no matter how long you live,” he told his daughter Margaret.
According to Kenneth Slawenski, one of Salinger’s biographers, the traumatised young soldier was sent to hospital at the end of the war, for what would now probably be diagnosed as post-traumatic stress disorder. While undergoing treatment, he met a half-German, half-French woman called Sylvia Welter and they were married within weeks. The union lasted just eight months and ended abruptly when he discovered she had been a Gestapo informant during the war. He annulled the marriage and cut off all contact.
During those army days, Salinger had worked away at writing short stories and his resolve to be a writer had been strengthened by meeting Ernest Hemingway, who was in Europe reporting on the war. After returning to America, Salinger continued to work on his novel about a character called Holden Caulfield. The character first appeared in the short story “I’m Crazy”, which was published in Collier’s magazine in 1945. The Catcher in the Rye was first published on 16 July 1951 and has since sold more than 70 million copies.
The celebrated opening of the novel – “If you really want to know about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap.” – enraptured readers and helped make the book an instant success. Salinger did not like the fame that came with a hit book. The same man who went to London in 1951 and drank cocktails at the home of Laurence Olivier and Vivien Leigh disliked the idea that he was now public property. Over the next two years, he decided that his only chance to continue a life dedicated to writing was to eschew celebrity life and New York’s literary cliques. “Contact with the public hinders my work,“ he said. In 1953, on his birthday, he left the city to live in a secluded 90-acre rural compound in Cornish.
Who said it?
Although the Salinger myth is of the oddball introvert, his early life in the tiny rural town was filled with socialising, especially with young women. Some of his biographers believe this fondness for young girls started with his love for 16-year-old Oona O’Neill, the daughter of playwright Eugene O’Neill. While Salinger was away on war duty, O’Neill became the fourth wife of the 54-year-old film star Charlie Chaplin. Salinger was devastated and wrote her a stinging letter of rebuke, in which he reportedly drew a cartoon of Chaplin holding his penis as he chased after Oona.
His 1950 short story “For Esmé – with Love and Squalor” was inspired by Jean Miller, the young girl who was 14 when they first met. She later became his lover. “Jerry Salinger listened like you were the most important person in the world,” Miller told his 2013 biographers David Shields and Shane Salerno. “I felt very free with him.”
His 1950 short story “For Esmé – with Love and Squalor” was inspired by Jean Miller, the young girl who was 14 when they first met. She later became his lover. “Jerry Salinger listened like you were the most important person in the world,” Miller told his 2013 biographers David Shields and Shane Salerno. “I felt very free with him.”
In his first year in Cornish, the 34-year-old Salinger spent a lot of time hanging around with local teenagers. He bought them food and drinks at a soda bar called Nap’s Lunch and would take them to ball games in his old army Jeep. He often invited them to his house to listen to music (he was a fan of Billie Holiday and showband tunes) where they would drink coke and eat crisps. He would get them to join in games that involved a Ouija board he nicknamed ”Pierce“.
His favourite teenager was 16-year-old blonde Shirlie Blaney. “He seemed to love having us around ... he was just like one of the gang,” she later told Shields and Salerno. They claimed the writer was having a relationship with the Vermont high school student, which would certainly explain why he broke his rule about giving interviews and allowed her to quiz him in 1953 for her school magazine. In the article, she described the half-Jewish son of a cheese salesman as a “tall and foreign-looking man”. Blaney quoted Salinger as saying he was considering moving to London to make a movie. Her feature appeared in the local The Claremont Daily Eagle and was then picked up for syndication across America. Salinger was furious and apparently never spoke to her again.
According to another biographer, Paul Alexander, he had a standard pick-up line in these years. “I’m JD Salinger and I wrote The Catcher in the Rye,” he would tell women. The line seemingly worked with a teenager called Claire Douglas, whom he met at a party in New York in 1954, shortly after he stopped seeing Blaney. She fell in love with the author and was persuaded to drop out of school and live with him. When Salinger wed London-born Douglas in February 1955, there was no reference to his first marriage in the documentation. They stayed married for 12 years, during which time they had two children, Margaret and Matthew. Margaret was born in 1955, the year her father’s stories Franny and novella Raise High the Roof Beam, Carpenters were published in The New Yorker.
Life as the daughter of the famous author was bizarre – not least because he would lecture her at length on the correct way to chew food. Margaret’s memoir from 2000, Dream Catcher, describes growing up in an atmosphere of emotional coldness. Although Salinger had resented being sent away during his childhood – he particularly detested his time at the Valley Forge Military Academy – he was unsympathetic when his daughter rang from her boarding school to plead for help when she was ill and lonely. Salinger cut her short and instead sent her a subscription to The Christian Science Journal.
Her book also details some of his weirder traits, including his belief in the therapeutic powers of his energy-capturing orgone box, his obsession with homeopathy and a fad he went through of drinking his own urine. Her brother, five years her junior, dismissed his “troubled” sister’s propensity to tell “Gothic tales of our supposed childhood”.
Margaret’s book was published two years after a tell-all memoir by Salinger’s former lover Joyce Maynard, who was 18 when she left college to live with the 53-year-old writer in 1972. After eight months, she was unceremoniously dumped. “He put two $50 bills in my hand and instructed me to clear my things out of his house and disappear,” she recalled. Maynard, who is now 65, said in an interview in September 2018 that she had been vilified for her revelations. She said she hoped the #MeToo movement would allow her story to be seen in a different light. Among the odd revelations in Maynard’s book At Home in the World is that Salinger had a rigid diet that involved eating frozen peas for breakfast.
Two people who could have shed real light on his character – his sister Doris, a fashion buyer at Bloomingdale’s, and his long-term friend, the writer SJ Perelman – never talked publicly about Salinger. His second wife Claire also declined to write a book about her life with Salinger and his interest in strange philosophies, including one that suggested that women were impure. “We did not make love very often. The body was evil,” his wife Claire said.
His obsessions took a toll on Claire, who divorced him in 1967. Lady Douglas of Kirtleside, a relative from the UK, later revealed she had been concerned about her niece’s welfare with Salinger. “They were living in something like a hut at one stage with no running water, and Claire had to go about carrying buckets of water,” Lady Douglas told The Scotsman in 2010, speaking after Salinger’s death from natural causes. “She got fed up with it all and had several miscarriages. She ended up becoming a sort of women’s libber, burning bras across America. After that, we lost touch.”
Support free-thinking journalism and attend Independent events
A better image of Salinger comes through the 50 letters and four postcards he sent to Londoner Donald Hartog from 1986 to 2002. Salinger met Hartog in 1937, when they were both 18 and studying German in Vienna, and they remained lifelong friends. Salinger wrote to his friend describing his life in more everyday terms.
There were letters about cultivating his vegetable garden, about his appreciation of England’s World Cup team and in praise of tennis player Tim Henman. Salinger also told Hartog he wanted to visit Whipsnade Zoo, that he enjoyed the TV series Upstairs, Downstairs and that he loved flame-grilled Burger King whoppers. He also liked to relax by watching Marx Brothers and Alfred Hitchcock films and doing crossword puzzles. Belying his image as a misanthrope, he also told his old friend about an “oddly pleasing” trip he had taken to Niagara Falls, and how his fellow tourists were “more often than not interesting and nice company”.
Salinger never spoke publicly about politics, but in this correspondence, he offered his private opinions of legislators. He described US politicians in general as “an odious bunch” and talked approvingly of Mikhail Gorbachev’s election as president of the Soviet Union. He referred to President Ronald Reagan and George Bush in 1988 as ”the outgoing dummy and the incoming dummy”.
The year Bush was elected, 65-year-old Salinger (who described his appearance at the time as “white-haired and creasy”) married Colleen O’Neill, a 25-year-old nurse who was the director of the annual Cornish town fair. They remained together for the final 22 years of his life, as he grew older, more infirm and very deaf. Salinger refused to wear a hearing aid and at the Railway Station restaurant where he ate regularly. A waitress recalled that she used to have to write down instructions on a dry-wipe board he carried with him.
Salinger’s widow still lives in Cornish and in 2016 bought the town’s General Store for $288,000. “My interest is to get this store back up and running,” she told the local Cornish Valley News. “This will be a place for people to run into each other, have a coffee and chat.”
O’Neill was protective of her husband’s privacy, particularly when he was pestered by admiring fans or pursued by reporters trying to trap him into interviews. He admitted that he wasn’t even able to answer the telephone “without unconsciously gritting my teeth”.
The paranoia about unwanted visitors can only have increased after the events of 1980. The Catcher in the Rye had become the bible of alienation for a generation of disaffected teenagers and in December 1980 its vast popular appeal was shown to bring its own problems. Mark David Chapman was carrying a copy of The Catcher in the Rye when he was arrested for killing John Lennon and he told police that “this extraordinary book” would help people to understand why he had shot the former Beatle. He cited the novel as “his statement”.
The Catcher in the Rye was also found in John Hinckley’s hotel room after he was arrested for attempting to assassinate President Reagan. None of the subsequent debate about the novel made Salinger feel any more disposed to deal with what he called the public’s “intrusive” interest in his life.
The image of him as the lonely writer was cemented in 1988 by a snatched photograph in which Salinger looks haunted and alarmed. The picture inspired Don DeLillo to write Mao II, in which the protagonist Bill Gray is a famous author-recluse who has spent years endlessly rewriting the same book. “When a writer doesn’t show his face, he becomes a local symptom of God’s famous reluctance to appear,” DeLillo wrote.
The Salinger “industry”, something he abhorred, has cranked up in earnest since 2010. A 2013 headline in The Atlantic read “On the Trail of JD Salinger’s Testicle”, above an article reporting on the news that two women had “independently confirmed” Shields and Salerno’s claim that Salinger only had one testicle. They conjectured that fears over talk of his sole ball was one of the reasons he became a recluse.
Salinger is still a cultural reference point. In the brilliant animated television show BoJack Horseman, Salinger’s character is voiced by Alan Arkin. Perhaps Salinger, who adored the TV comedy series I Love Lucy, would appreciate the satire of his fictional cartoon-self devising a game show called “Hollywood Stars and Celebrities: What Do They Know? Do They Know Things? Let’s Find Out”.
A federal court once banned the late Ian Hamilton’s biography of Salinger, which prompted him to write In Search of JD Salinger, a book about his thwarted attempt to write Salinger’s life story. Canadian novelist Mordecai Richler, reviewing the book for The New York Times in 1988, brought a writer’s perspective to the subject. “According to a neighbour, JD Salinger is said to rise at 5 or 6am in his home in Cornish, NH, and then walk ‘down the hill to his studio, a tiny concrete shelter with a translucent plastic roof,’ and spend 15 or 16 hours at his typewriter. Later he may watch one of his vast collection of 1940’s movies. Hardly the stuff of drama.”
His last published work, “Hapworth 16, 1924”, came out in 1965. In his will, Salinger suggested that some of his unpublished works could be out by 2020. It has been reported that Salinger left five new Glass family stories and a novella based on his relationship with his first wife, Sylvia, in the form of a counter-intelligence officer’s diary entries during the war. He also left a story-filled “manual” about the Vedanta religious philosophy; and fresh tales about Holden Caulfield. There has also been talk of long novels produced during those marathon stints in his bunker.
It is unlikely anything new will match the exuberance of The Catcher in the Rye, which still sells a quarter of a million copies a year. Perhaps we will never find out how good his writing from those lonely years was or whether Gore Vidal was right to suggest that Salinger’s enigmatic exile lent his work a seriousness it didn’t deserve.
Salinger’s children and widow have not confirmed any new books. Instead, his son recently urged people to focus on work already in the public domain. “I would love for more people to read his last two books, Franny and Zooey and Raise High the Roof Beam, Carpenters and Seymour: An Introduction, for I hear his voice the clearest in these,“ his son Matt said recently. ”He loved writing and he loved his readers, and I hope his readers will be glad for an excuse to remember him in this way.”
In one of his rare interviews, which Salinger volunteered to The New York Times in 1974, he talked about the importance of his books, rather than his image as a loner. “I’m known as a strange, aloof kind of man,” he said. “But all I’m doing is trying to protect myself and my work."
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Catcher in the Rye great book, has caused some pretty sad times from it's suppose message though. Great Author.
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Celebrating JD Salinger - An interview with Matt Salinger
In the year that marks the centenary of JD Salinger’s birth, we celebrate the life and works of one of the most celebrated writers of the 20th Century. Find ...
Celebrating JD Salinger - An interview with Matt Salinger
https://www.youtube.com/watch?v=A2iYrFGeT3s
Images:
1. Margaret Salinger's memoir Dream Catcher, its cover featuring a rare photograph of Salinger and Margaret as a child.
2. J.D. Salinger at home in Cornish, N.H., with Emily Maxwell, the wife of William Maxwell, a close friend and Salinger's editor at The New Yorker.
3. Author J.D. Salinger's letters to Joyce Maynard auctioned off at Sotheby's to Californian philanthropists Peter Norton. Rick Maiman.
4. Claire Douglas - second wife of J.D. Salinger and mother of Margaret
Background from {[ https://www.thoughtco.com/biography-of-j-d-salinger-american-writer-4780792l]}
Biography of J. D. Salinger, American Writer
Famous Author of 'The Catcher in the Rye'
Updated January 23, 2020
J. D. Salinger (January 1, 1919–January 27, 2010) was an American author mostly known for his seminal teenage-angst novel The Catcher in the Rye and numerous short stories. Though critically and commercially successful, Salinger led a mostly reclusive life.
Fast Facts: J. D. Salinger
• Full Name: Jerome David Salinger
• Known For: Author of The Catcher in the Rye
• Born: January 1, 1919 in New York City, New York
• Parents: Sol Salinger, Marie Jillich
• Died: January 27, 2010 in Cornish, New Hampshire
• Education: Ursinus College, Columbia University
• Notable Works: The Catcher in the Rye (1951); Nine Stories (1953); Franny and Zooey (1961)
• Spouse(s): Sylvia Welter (m. 1945-1947), Claire Douglas (m. 1955-1967), Colleen O’ Neill (m. 1988)
• Children: Margaret Salinger (1955), Matt Salinger (1960)
Early Life (1919-1940)
J. D. Salinger was born in Manhattan on January 1, 1919. His father, Sol, was a Jewish importer, while his mother, Marie Jillich, was of Scottish-Irish descent but changed her name to Miriam upon marrying Sol. He had an older sister, Doris. In 1936, J. D. graduated from Valley Forge Military Academy in Wayne, Pennsylvania, where he served as the literary editor of the school’s yearbook, Crossed Sabres. There are claims about the years at Valley Forge serving as inspiration for some of the material of The Catcher in the Rye, but the similarities between his real-life experiences and the events in the book remain superficial.
Early Work and Wartime (1940-1946)
• “The Young Folks” (1940)
• “Go See Eddie” (1940)
• “The Hang of It” (1941)
• “The Heart of a Broken Story” (1941)
• “The Long Debut of Lois Taggett” (1942)
• “Personal Notes of an Infantryman” (1942)
• “The Varioni Brothers” (1943)
• “The Last Days of the Last Furlough” (1944)
• “Elaine” (1945)
• “This Sandwich Has No Mayonnaise” (1945)
• “I am Crazy” (1945)
After leaving Ursinus, he enrolled in a short-story writing course at Columbia University, taught by Whit Burnett. At first a quiet student, he found his inspiration towards the end of the fall semester, when he turned in three short stories that positively impressed Burnett. Between 1940 and 1941, he published several short stories: “The Young Folks” (1940) in Story; “Go See Eddie” (1940) in University of Kansas City Review; “The Hang of It” (1941) in Collier’s; and “The Heart of a Broken Story” (1941) in Esquire.
When the United States entered World War II, Salinger was called into service and worked as entertainment director on the MS Kungsholm. In 1942, he was reclassified and drafted into the U.S. Army, and worked for the Army Counterintelligence Corps. While in the army, he kept up with his writing, and between 1942 and 1943, he published “The Long Debut of Lois Taggett” (1942) in Story; “Personal Notes of an Infantryman” (1942) in Colliers; and “The Varioni Brothers” (1943) in the Saturday Evening Post. In 1942, he also corresponded with Oona O’Neill, the daughter of playwright Eugene O’Neill and future wife of Charlie Chaplin.
On June 6, 1944, he participated with the U.S. Army on D-Day, coming ashore at Utah Beach. He then marched to Paris and arrived there on August 25, 1944. While in Paris, he visited Ernest Hemingway, whom he admired. That fall, Salinger’s regiment crossed into Germany, where he and his comrades in arms endured a harsh winter. On May 5, 1945, his regiment opened a command post at Herman Göring’s castle in Neuhaus. That July, he was hospitalized for “battle fatigue” but he refused a psychiatric evaluation. His 1945 short story “I’m Crazy” introduced material he would use in The Catcher in the Rye. He was discharged from the Army when the war ended, and, until 1946, he was briefly married to a French woman named Sylvia Welter, whom he had previously imprisoned and interrogated. That marriage, however, was short lived and little is known about her.
Back to New York (1946-1953)
• “A Perfect Day for Bananafish” (1948)
• “Uncle Wiggily in Connecticut” (1948)
• “For Esmé—With Love and Squalor” (1950)
• The Catcher in the Rye (1951)
Once he was back in New York, he started spending time with the creative class in Greenwich Village and studying Zen Buddhism. He became a regular contributor to The New Yorker. “A Perfect Day for Bananafish,” which appeared in the magazine, introduced Seymour Glass and the whole Glass family. “Uncle Wiggily in Connecticut,” another Glass-Family story, was adapted into the movie My Foolish Heart, starring Susan Hayward.
The Catcher in the Rye (1951, first edition dust jacket). Public Domain / Wikimedia Commons
When “For Esmé” was published in 1950, Salinger had acquired a strong reputation as a short-fiction writer. In 1950, he received an offer from Harcourt Brace to publish his novel The Catcher in the Rye, but, upon some disagreement with the editorial staff, he went with Little, Brown. The novel, focusing on a cynical and alienated teenager named Holden Caulfield, was both a critical and commercial success, and forced the very private Salinger into the limelight. This did not sit well with him.
Life as a Recluse (1953-2010)
• Nine Stories (1953), collection of stories
• Franny and Zooey (1961), collection of stories
• Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963), collection of stories
• “Hapworth 16, 1924” (1965), short story
Salinger moved to Cornish, New Hampshire, in 1953. He made this decision after a visit he made to the area with his sister in the fall of 1952. They were searching for a place where he could write without distractions. At first he liked Cape Ann near Boston, but the real estate prices were too high. Cornish, in New Hampshire, had a beautiful landscape, but the house they found was a fixer upper. Salinger bought the house, almost echoing Holden’s desire to live in the woods. He moved there on New Year’s Day 1953.
Salinger soon started a relationship with Claire Douglas, who was still a student at Radcliffe, and they spent many weekends together in Cornish. In order for her to get permission to be away from college, the two invented the persona of “Mrs. Trowbridge,” who would give her visits a semblance of propriety. Salinger asked Douglas to drop out of school to live with him and when she refused to do so at first, he disappeared, which caused her a nervous and physical breakdown. They reunited in the summer of 1954, and by the fall, she had moved in with him. They divided their time between Cornish and Cambridge, which he was not happy about as it caused interruption to his work.
Douglas eventually dropped out of college in 1955, a few months before graduation, and she and Salinger wed on February 17, 1955. Once Claire got pregnant, the couple became more isolated and she grew resentful; she burned the writings she completed in college and refused to follow the special organic diet her husband had become invested in. They had two children: Margaret Ann, born in 1955, and Matthew, born in 1960. They divorced in 1967.
Salinger expanded the character of Seymour Glass with “Raise The Roof Beam, Carpenters,” which narrates Buddy Glass’ attendance to his brother Seymour’s wedding to Muriel; ”Seymour: An Introduction” (1959), where his brother Buddy Glass introduces Seymour, who had committed suicide in 1948, to the readers; and “Hapworth 16, 1924,” an epistolary novella told from the point of view of seven-year-old Seymour while at Summer Camp.
In 1972, he embarked on a relationship with writer Joyce Maynard, who was then 18 years old. She moved in with him after a long epistolary correspondence during the summer after her freshman year at Yale. Their relationship ended after nine months because Maynard wanted children and he felt too old, while Maynard claims that she was just sent away. In 1988, Salinger married Colleen O’Neill, forty years his junior, and, according to Margaret Salinger, the two were trying to conceive.
Salinger died of natural causes on January 27, 2010 at his home in New Hampshire.
Literary Style and Themes
Salinger’s work deals with some consistent themes. One is alienation: some of his characters feel isolated from others because they’re not loved and lack meaningful connections. Most famously, Holden Caulfield, from The Catcher in the Rye, cannot relate to the people he is surrounded by, dubbing them as “phonies,” and likening his brother’s job as a screenwriter to prostitution. He also pretends to be a deaf-mute in order to be left alone.
His characters also tend to idealize innocence, in direct contrast with experience. In Nine Stories, many of the tales contain a progression from innocence to experience: “A Perfect Day for Bananafish,” for example, relates of a couple that stayed at the Florida Hotel before the war in a state of innocence; then, after the war, the husband appears traumatized by the war and is in a general state of disenchantment, while the wife has been corrupted by society.
Illustration of J. D. Salinger used for the cover of Time magazine, Volume 78 Issue 11. Public Domain / Getty Images
In Salinger’s work, innocence—or the loss thereof—also goes hand in hand with nostalgia. Holden Caulfield idealizes the memories of his childhood friend Jane Gallagher, but refuses to see her in the present because he does not want his memories to be altered. In “A Perfect Day for Bananafish,” Seymour finds himself looking for banana fish with a little girl named Sybil, whom he relates and communicates better than with his own wife Muriel.
Salinger also has his characters deal with death, exploring their grief. Usually, his characters experience the death of a sibling. In the Glass family, Seymour Glass commits suicide, and Franny uses the Jesus prayer to make sense of the event, while his brother Buddy saw him as being the best at everything and exceptional. In The Catcher in the Rye, Holden Caulfield holds on to his dead brother Allie’s baseball mitt and also writes about it.
Style-wise, Salinger’s prose is marked by his distinctive voice. A high school teacher, he was naturally inclined to create compelling teenage characters, reproducing their colloquialisms and frank use of language, which are not so predominant in adult characters. He also was a big proponent of dialogue and third-person narrative, as it’s evidenced in "Franny" and "Zoey," where dialogue is the main way for the reader to witness how Franny interacts with others.
Legacy
J. D. Salinger produced a slim body of work. The Catcher in the Rye became a bestseller almost instantly, and its appeal survives to this day, as the book continues to sell more hundreds of thousands of copies a year in paperback. Famously, Mark David Chapman motivated his killing of John Lennon by saying that his act was something that could be found in the pages of that book. Philip Roth extolled the virtues of Catcher, too, claiming that its timeless appeal revolved around how Salinger rendered the conflict between the sense of self and culture. Nine Stories, with its dialogue and social observation, influenced Philip Roth and John Updike, who admired “that open-ended Zen quality they have, the way they don’t snap shut.” Philip Roth included Catcher in the Rye among his favorite reads when he pledged to donate his personal library to the Newark Public Library upon his death.
Sources
• Bloom, Harold. J.D. Salinger. Blooms Literary Criticism, 2008.
• Mcgrath, Charles. “J. D. Salinger, Literary Recluse, Dies at 91.” The New York Times, The New York Times, 28 Jan. 2010, https://www.nytimes.com/2010/01/29/books/29salinger.html.
• Slawenski, Kenneth. J.D. Salinger: a Life. Random House, 2012.
• Special, Lacey Fosburgh. “J. D. Salinger Speaks About His Silence.” The New York Times, The New York Times, 3 Nov. 1974, https://www.nytimes.com/1974/11/03/archives/j-d-salinger-speaks-about-j-d-salinger-speaks-about-his-silence-as.html.
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https://www.youtube.com/watch?v=A2iYrFGeT3s
Images:
1. Margaret Salinger's memoir Dream Catcher, its cover featuring a rare photograph of Salinger and Margaret as a child.
2. J.D. Salinger at home in Cornish, N.H., with Emily Maxwell, the wife of William Maxwell, a close friend and Salinger's editor at The New Yorker.
3. Author J.D. Salinger's letters to Joyce Maynard auctioned off at Sotheby's to Californian philanthropists Peter Norton. Rick Maiman.
4. Claire Douglas - second wife of J.D. Salinger and mother of Margaret
Background from {[ https://www.thoughtco.com/biography-of-j-d-salinger-american-writer-4780792l]}
Biography of J. D. Salinger, American Writer
Famous Author of 'The Catcher in the Rye'
Updated January 23, 2020
J. D. Salinger (January 1, 1919–January 27, 2010) was an American author mostly known for his seminal teenage-angst novel The Catcher in the Rye and numerous short stories. Though critically and commercially successful, Salinger led a mostly reclusive life.
Fast Facts: J. D. Salinger
• Full Name: Jerome David Salinger
• Known For: Author of The Catcher in the Rye
• Born: January 1, 1919 in New York City, New York
• Parents: Sol Salinger, Marie Jillich
• Died: January 27, 2010 in Cornish, New Hampshire
• Education: Ursinus College, Columbia University
• Notable Works: The Catcher in the Rye (1951); Nine Stories (1953); Franny and Zooey (1961)
• Spouse(s): Sylvia Welter (m. 1945-1947), Claire Douglas (m. 1955-1967), Colleen O’ Neill (m. 1988)
• Children: Margaret Salinger (1955), Matt Salinger (1960)
Early Life (1919-1940)
J. D. Salinger was born in Manhattan on January 1, 1919. His father, Sol, was a Jewish importer, while his mother, Marie Jillich, was of Scottish-Irish descent but changed her name to Miriam upon marrying Sol. He had an older sister, Doris. In 1936, J. D. graduated from Valley Forge Military Academy in Wayne, Pennsylvania, where he served as the literary editor of the school’s yearbook, Crossed Sabres. There are claims about the years at Valley Forge serving as inspiration for some of the material of The Catcher in the Rye, but the similarities between his real-life experiences and the events in the book remain superficial.
Early Work and Wartime (1940-1946)
• “The Young Folks” (1940)
• “Go See Eddie” (1940)
• “The Hang of It” (1941)
• “The Heart of a Broken Story” (1941)
• “The Long Debut of Lois Taggett” (1942)
• “Personal Notes of an Infantryman” (1942)
• “The Varioni Brothers” (1943)
• “The Last Days of the Last Furlough” (1944)
• “Elaine” (1945)
• “This Sandwich Has No Mayonnaise” (1945)
• “I am Crazy” (1945)
After leaving Ursinus, he enrolled in a short-story writing course at Columbia University, taught by Whit Burnett. At first a quiet student, he found his inspiration towards the end of the fall semester, when he turned in three short stories that positively impressed Burnett. Between 1940 and 1941, he published several short stories: “The Young Folks” (1940) in Story; “Go See Eddie” (1940) in University of Kansas City Review; “The Hang of It” (1941) in Collier’s; and “The Heart of a Broken Story” (1941) in Esquire.
When the United States entered World War II, Salinger was called into service and worked as entertainment director on the MS Kungsholm. In 1942, he was reclassified and drafted into the U.S. Army, and worked for the Army Counterintelligence Corps. While in the army, he kept up with his writing, and between 1942 and 1943, he published “The Long Debut of Lois Taggett” (1942) in Story; “Personal Notes of an Infantryman” (1942) in Colliers; and “The Varioni Brothers” (1943) in the Saturday Evening Post. In 1942, he also corresponded with Oona O’Neill, the daughter of playwright Eugene O’Neill and future wife of Charlie Chaplin.
On June 6, 1944, he participated with the U.S. Army on D-Day, coming ashore at Utah Beach. He then marched to Paris and arrived there on August 25, 1944. While in Paris, he visited Ernest Hemingway, whom he admired. That fall, Salinger’s regiment crossed into Germany, where he and his comrades in arms endured a harsh winter. On May 5, 1945, his regiment opened a command post at Herman Göring’s castle in Neuhaus. That July, he was hospitalized for “battle fatigue” but he refused a psychiatric evaluation. His 1945 short story “I’m Crazy” introduced material he would use in The Catcher in the Rye. He was discharged from the Army when the war ended, and, until 1946, he was briefly married to a French woman named Sylvia Welter, whom he had previously imprisoned and interrogated. That marriage, however, was short lived and little is known about her.
Back to New York (1946-1953)
• “A Perfect Day for Bananafish” (1948)
• “Uncle Wiggily in Connecticut” (1948)
• “For Esmé—With Love and Squalor” (1950)
• The Catcher in the Rye (1951)
Once he was back in New York, he started spending time with the creative class in Greenwich Village and studying Zen Buddhism. He became a regular contributor to The New Yorker. “A Perfect Day for Bananafish,” which appeared in the magazine, introduced Seymour Glass and the whole Glass family. “Uncle Wiggily in Connecticut,” another Glass-Family story, was adapted into the movie My Foolish Heart, starring Susan Hayward.
The Catcher in the Rye (1951, first edition dust jacket). Public Domain / Wikimedia Commons
When “For Esmé” was published in 1950, Salinger had acquired a strong reputation as a short-fiction writer. In 1950, he received an offer from Harcourt Brace to publish his novel The Catcher in the Rye, but, upon some disagreement with the editorial staff, he went with Little, Brown. The novel, focusing on a cynical and alienated teenager named Holden Caulfield, was both a critical and commercial success, and forced the very private Salinger into the limelight. This did not sit well with him.
Life as a Recluse (1953-2010)
• Nine Stories (1953), collection of stories
• Franny and Zooey (1961), collection of stories
• Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963), collection of stories
• “Hapworth 16, 1924” (1965), short story
Salinger moved to Cornish, New Hampshire, in 1953. He made this decision after a visit he made to the area with his sister in the fall of 1952. They were searching for a place where he could write without distractions. At first he liked Cape Ann near Boston, but the real estate prices were too high. Cornish, in New Hampshire, had a beautiful landscape, but the house they found was a fixer upper. Salinger bought the house, almost echoing Holden’s desire to live in the woods. He moved there on New Year’s Day 1953.
Salinger soon started a relationship with Claire Douglas, who was still a student at Radcliffe, and they spent many weekends together in Cornish. In order for her to get permission to be away from college, the two invented the persona of “Mrs. Trowbridge,” who would give her visits a semblance of propriety. Salinger asked Douglas to drop out of school to live with him and when she refused to do so at first, he disappeared, which caused her a nervous and physical breakdown. They reunited in the summer of 1954, and by the fall, she had moved in with him. They divided their time between Cornish and Cambridge, which he was not happy about as it caused interruption to his work.
Douglas eventually dropped out of college in 1955, a few months before graduation, and she and Salinger wed on February 17, 1955. Once Claire got pregnant, the couple became more isolated and she grew resentful; she burned the writings she completed in college and refused to follow the special organic diet her husband had become invested in. They had two children: Margaret Ann, born in 1955, and Matthew, born in 1960. They divorced in 1967.
Salinger expanded the character of Seymour Glass with “Raise The Roof Beam, Carpenters,” which narrates Buddy Glass’ attendance to his brother Seymour’s wedding to Muriel; ”Seymour: An Introduction” (1959), where his brother Buddy Glass introduces Seymour, who had committed suicide in 1948, to the readers; and “Hapworth 16, 1924,” an epistolary novella told from the point of view of seven-year-old Seymour while at Summer Camp.
In 1972, he embarked on a relationship with writer Joyce Maynard, who was then 18 years old. She moved in with him after a long epistolary correspondence during the summer after her freshman year at Yale. Their relationship ended after nine months because Maynard wanted children and he felt too old, while Maynard claims that she was just sent away. In 1988, Salinger married Colleen O’Neill, forty years his junior, and, according to Margaret Salinger, the two were trying to conceive.
Salinger died of natural causes on January 27, 2010 at his home in New Hampshire.
Literary Style and Themes
Salinger’s work deals with some consistent themes. One is alienation: some of his characters feel isolated from others because they’re not loved and lack meaningful connections. Most famously, Holden Caulfield, from The Catcher in the Rye, cannot relate to the people he is surrounded by, dubbing them as “phonies,” and likening his brother’s job as a screenwriter to prostitution. He also pretends to be a deaf-mute in order to be left alone.
His characters also tend to idealize innocence, in direct contrast with experience. In Nine Stories, many of the tales contain a progression from innocence to experience: “A Perfect Day for Bananafish,” for example, relates of a couple that stayed at the Florida Hotel before the war in a state of innocence; then, after the war, the husband appears traumatized by the war and is in a general state of disenchantment, while the wife has been corrupted by society.
Illustration of J. D. Salinger used for the cover of Time magazine, Volume 78 Issue 11. Public Domain / Getty Images
In Salinger’s work, innocence—or the loss thereof—also goes hand in hand with nostalgia. Holden Caulfield idealizes the memories of his childhood friend Jane Gallagher, but refuses to see her in the present because he does not want his memories to be altered. In “A Perfect Day for Bananafish,” Seymour finds himself looking for banana fish with a little girl named Sybil, whom he relates and communicates better than with his own wife Muriel.
Salinger also has his characters deal with death, exploring their grief. Usually, his characters experience the death of a sibling. In the Glass family, Seymour Glass commits suicide, and Franny uses the Jesus prayer to make sense of the event, while his brother Buddy saw him as being the best at everything and exceptional. In The Catcher in the Rye, Holden Caulfield holds on to his dead brother Allie’s baseball mitt and also writes about it.
Style-wise, Salinger’s prose is marked by his distinctive voice. A high school teacher, he was naturally inclined to create compelling teenage characters, reproducing their colloquialisms and frank use of language, which are not so predominant in adult characters. He also was a big proponent of dialogue and third-person narrative, as it’s evidenced in "Franny" and "Zoey," where dialogue is the main way for the reader to witness how Franny interacts with others.
Legacy
J. D. Salinger produced a slim body of work. The Catcher in the Rye became a bestseller almost instantly, and its appeal survives to this day, as the book continues to sell more hundreds of thousands of copies a year in paperback. Famously, Mark David Chapman motivated his killing of John Lennon by saying that his act was something that could be found in the pages of that book. Philip Roth extolled the virtues of Catcher, too, claiming that its timeless appeal revolved around how Salinger rendered the conflict between the sense of self and culture. Nine Stories, with its dialogue and social observation, influenced Philip Roth and John Updike, who admired “that open-ended Zen quality they have, the way they don’t snap shut.” Philip Roth included Catcher in the Rye among his favorite reads when he pledged to donate his personal library to the Newark Public Library upon his death.
Sources
• Bloom, Harold. J.D. Salinger. Blooms Literary Criticism, 2008.
• Mcgrath, Charles. “J. D. Salinger, Literary Recluse, Dies at 91.” The New York Times, The New York Times, 28 Jan. 2010, https://www.nytimes.com/2010/01/29/books/29salinger.html.
• Slawenski, Kenneth. J.D. Salinger: a Life. Random House, 2012.
• Special, Lacey Fosburgh. “J. D. Salinger Speaks About His Silence.” The New York Times, The New York Times, 3 Nov. 1974, https://www.nytimes.com/1974/11/03/archives/j-d-salinger-speaks-about-j-d-salinger-speaks-about-his-silence-as.html.
FYI Sgt John H. SGM Bill FrazerCSM (Join to see)SSG Paul HeadleeSGM Major StroupeCPL Michael Peck SPC Michael Terrell CPL Douglas Chrysler LTC John ShawSPC Matthew LambSFC Bernard Walko1LT Voyle SmithGySgt Jack WallaceCPT (Join to see)MSG (Join to see)[~1651688@SSgt Kelly Donlevy]COL Kelly ZachgoCPO Arthur Weinberger SFC Chuck MartinezSFC Ralph E KelleyBrad Miller
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Catcher In the Rye was banned in our high school library until my junior year. Of course that made us want to read it all the more.
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Catcher in the Rye was a big deal when I was in high school. It wasn't yet banned at our school and when I took senior English I was at a different school where it was taken out of the curriculum
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