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Furious at Hemingway for the way he had discarded her in pursuit of his own glory, she checked into a separate room at the Dorchester in London after arriving from Liverpool. According to her biographer, Caroline Moorehead, Gellhorn mostly looked on in disgust the next several days as Hemingway partied with his ever-present retinue of admirers, even after being released from the hospital following a serious car accident.
When the London-based correspondents got the call early on June 6, Gellhorn reported to the Ministry of Information. Hemingway had been gone for a few days, preparing to storm the beaches of France in a heroic return to the continent. After the initial rush of SHAEF’s release of Communique No. 1, officially announcing the invasion, to a room full of correspondents, Gellhorn headed out into the streets of the capital.
Though she was initially overshadowed by her celebrity novelist husband, Gellhorn's reporting on the Normandy invasion presented a deeper, broader account of the action than Hemingway's. JFK Library
With those steps, she began to assemble a piece that would run on a single page in the July 22,1944 issue of Collier’s. Compared to Hemingway’s cover story “Voyage to Victory,” it was presented as almost an afterthought. But, in terms of pure journalism, Gellhorn’s piece delivers a deeper, broader account of how the day actually felt than did Hemingway’s almost comically self-serving tome.
When the London-based correspondents got the call early on June 6, Gellhorn reported to the Ministry of Information. Hemingway had been gone for a few days, preparing to storm the beaches of France in a heroic return to the continent. After the initial rush of SHAEF’s release of Communique No. 1, officially announcing the invasion, to a room full of correspondents, Gellhorn headed out into the streets of the capital.
Though she was initially overshadowed by her celebrity novelist husband, Gellhorn's reporting on the Normandy invasion presented a deeper, broader account of the action than Hemingway's. JFK Library
With those steps, she began to assemble a piece that would run on a single page in the July 22,1944 issue of Collier’s. Compared to Hemingway’s cover story “Voyage to Victory,” it was presented as almost an afterthought. But, in terms of pure journalism, Gellhorn’s piece delivers a deeper, broader account of how the day actually felt than did Hemingway’s almost comically self-serving tome.
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I'm not shocked she had to stow away to see the action. She went where angels feared to tread.
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