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"On September 1, 1984, after a 25-year career, Tina Turner had her first solo No.1 single in the US with 'What's Love Got To Do With It'. This song was originally written for Cliff Richard, however the song was rejected. It was then offered to Donna Summer, who has stated she sat with it for a couple of years but never recorded it."
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Posted >1 y ago
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Thank you my friend SGT (Join to see) for sharing the music video of Tina Turner performing her comeback hit-song "What's Love Got To Do With It" After the Ike and Tina Turner Review and their marriage folded was a tough time for Tina.
What's Love Got to Do with It by Tina Turner
Lyrics
"You must understand though the touch of your hand
Makes my pulse react
That it's only the thrill of boy meeting girl
Opposites attract
It's physical
Only logical
You must try to ignore that it means more than that ooo
What's love got to do, got to do with it
What's love but a second hand emotion
What's love got to do, got to do with it
Who needs a heart when a heart can be broken
It may seem to you that I'm acting confused
When you're close to me
If I tend to look dazed I've read it someplace
I've got cause to be
There's a name for it
There's a phrase that fits
But whatever the reason you do it for me ooo
What's love got to do, got to do with it
What's love but a second hand emotion
What's love got to do, got to do with it
Who needs…"
Background on the song
"This was Tina Turner's comeback song. She first hit the pop charts with her husband Ike in 1960, and their biggest hit came in 1971 with a cover of "Proud Mary." After enduring years of spousal abuse, Tina split from Ike in the mid-'70s and her career was in limbo until this song thrust her back in the spotlight 13 years after "Proud Mary." More hit singles followed, cementing her status as a music icon. >>
In this song, Tina Turner plays the part of a woman who enjoys the carnal encounters with her lover, but feels no emotional attachment. She wants him to know that there's nothing more to it, as for her it's purely physical. Their relationship has nothing to do with love, which she dismisses as "a sweet, old-fashioned notion."
It's really an anti-love song, and Turner hated it. She balked at recording it, but had the good sense to defer to her manager, Roger Davies, who was engineering her comeback and was sure the song would be a hit. Davis got the song from his friends, the songwriters Terry Britten and Graham Lyle (who was in the duo Gallagher and Lyle), and it was Britten who produced the track.
Turner could sell a song as well as anyone, so she could deliver a convincing vocal even if she didn't have a personal connection to the track. Outside of "Nutbush City Limits," her hits were written by others and interpreted by Tina, who could always get into character. She was never anyone's "Private Dancer," but she managed to make a song about one a hit as well.
This won Grammys in 1985 for Song of the Year, Record of the Year, and Best Female Vocal Performance. Turner gave one of the awards to Davies, whom she credited with reviving her career. Davies, an Australian who was new to the business, met Turner in 1979 after she had released a series of failed solo albums.
The video was directed by Mark Robinson, who also did the Ashford & Simpson promo for "Solid." In the video, Turner walks confidently around New York City with big hair, high heels and a short skirt. MTV put it in heavy rotation, and for many, it was their first look at Turner, who provided a striking visual.
At the second MTV Video Music Awards in 1985, it won for Best Female Video.
Private Dancer was Turner's first album for Capitol Records. They took a chance on her when it appeared she was no longer marketable, and it paid off big, as the album was a huge hit. Recording the album was no easy task, as several producers, songwriters and musicians were used to assemble the various songs. One of the producers was Rupert Hine, who worked on the tracks "Better Be Good To Me" and "I Might Have Been Queen." Hine told us that it was Turner's professionalism and ungodly talent that made it work. Said Hine: "She approaches things in such a diligent way and she 'owns the song' - that's the phrase she used to use, which basically means she sings along with it at home. I give her a songwriter's demo and then she'll sing it in her key. And then the point where she sings along with the tape and she feels she's got it, it's now her song."
In 1993, the title was used for a movie about her life starring Angela Bassett as Turner. Bassett lip-synched to Turner's songs.
Turner set some records when this song went to #1 on the Hot 100. At 44, she became the oldest female solo artist ever to top the chart. Her first song to chart was "A Fool In Love" with her husband Ike in 1960, at 24 years, she set the mark for longest time between first song to chart and first #1 hit.
These records were both broken by Cher, who was 52 when her song "Believe" went to #1, and whose first chart hit was in 1965 with "I Got You Babe" (with Sonny & Cher).
Turner's comeback on the charts began when she released a version of Al Green's "Let's Stay Together" - her first Columbia single - in 1983. It did surprisingly well in the UK, where it went to #6 in December. It America, it was a slower climb, reaching #26 in March. This piqued interest, and "What's Love Got To Do With It" was released in May a few weeks before the Private Dancer album. Turner got lots of positive press and her comeback story helped her build momentum. In September, the song hit #1 and Tuner was once again a headline act."
FYI COL Mikel J. Burroughs LTC Stephen C. LTC Wayne Brandon LTC Bill Koski Maj Bill Smith, Ph.D. Capt Seid Waddell Capt Tom Brown Maj Marty Hogan MSG Andrew White SFC William Farrell SSgt Robert Marx PO1 William "Chip" Nagel SPC Margaret Higgins MSgt Jason McClish AN Christopher Crayne SPC Tom DeSmet SGT Charles H. Hawes SSG David Andrews
What's Love Got to Do with It by Tina Turner
Lyrics
"You must understand though the touch of your hand
Makes my pulse react
That it's only the thrill of boy meeting girl
Opposites attract
It's physical
Only logical
You must try to ignore that it means more than that ooo
What's love got to do, got to do with it
What's love but a second hand emotion
What's love got to do, got to do with it
Who needs a heart when a heart can be broken
It may seem to you that I'm acting confused
When you're close to me
If I tend to look dazed I've read it someplace
I've got cause to be
There's a name for it
There's a phrase that fits
But whatever the reason you do it for me ooo
What's love got to do, got to do with it
What's love but a second hand emotion
What's love got to do, got to do with it
Who needs…"
Background on the song
"This was Tina Turner's comeback song. She first hit the pop charts with her husband Ike in 1960, and their biggest hit came in 1971 with a cover of "Proud Mary." After enduring years of spousal abuse, Tina split from Ike in the mid-'70s and her career was in limbo until this song thrust her back in the spotlight 13 years after "Proud Mary." More hit singles followed, cementing her status as a music icon. >>
In this song, Tina Turner plays the part of a woman who enjoys the carnal encounters with her lover, but feels no emotional attachment. She wants him to know that there's nothing more to it, as for her it's purely physical. Their relationship has nothing to do with love, which she dismisses as "a sweet, old-fashioned notion."
It's really an anti-love song, and Turner hated it. She balked at recording it, but had the good sense to defer to her manager, Roger Davies, who was engineering her comeback and was sure the song would be a hit. Davis got the song from his friends, the songwriters Terry Britten and Graham Lyle (who was in the duo Gallagher and Lyle), and it was Britten who produced the track.
Turner could sell a song as well as anyone, so she could deliver a convincing vocal even if she didn't have a personal connection to the track. Outside of "Nutbush City Limits," her hits were written by others and interpreted by Tina, who could always get into character. She was never anyone's "Private Dancer," but she managed to make a song about one a hit as well.
This won Grammys in 1985 for Song of the Year, Record of the Year, and Best Female Vocal Performance. Turner gave one of the awards to Davies, whom she credited with reviving her career. Davies, an Australian who was new to the business, met Turner in 1979 after she had released a series of failed solo albums.
The video was directed by Mark Robinson, who also did the Ashford & Simpson promo for "Solid." In the video, Turner walks confidently around New York City with big hair, high heels and a short skirt. MTV put it in heavy rotation, and for many, it was their first look at Turner, who provided a striking visual.
At the second MTV Video Music Awards in 1985, it won for Best Female Video.
Private Dancer was Turner's first album for Capitol Records. They took a chance on her when it appeared she was no longer marketable, and it paid off big, as the album was a huge hit. Recording the album was no easy task, as several producers, songwriters and musicians were used to assemble the various songs. One of the producers was Rupert Hine, who worked on the tracks "Better Be Good To Me" and "I Might Have Been Queen." Hine told us that it was Turner's professionalism and ungodly talent that made it work. Said Hine: "She approaches things in such a diligent way and she 'owns the song' - that's the phrase she used to use, which basically means she sings along with it at home. I give her a songwriter's demo and then she'll sing it in her key. And then the point where she sings along with the tape and she feels she's got it, it's now her song."
In 1993, the title was used for a movie about her life starring Angela Bassett as Turner. Bassett lip-synched to Turner's songs.
Turner set some records when this song went to #1 on the Hot 100. At 44, she became the oldest female solo artist ever to top the chart. Her first song to chart was "A Fool In Love" with her husband Ike in 1960, at 24 years, she set the mark for longest time between first song to chart and first #1 hit.
These records were both broken by Cher, who was 52 when her song "Believe" went to #1, and whose first chart hit was in 1965 with "I Got You Babe" (with Sonny & Cher).
Turner's comeback on the charts began when she released a version of Al Green's "Let's Stay Together" - her first Columbia single - in 1983. It did surprisingly well in the UK, where it went to #6 in December. It America, it was a slower climb, reaching #26 in March. This piqued interest, and "What's Love Got To Do With It" was released in May a few weeks before the Private Dancer album. Turner got lots of positive press and her comeback story helped her build momentum. In September, the song hit #1 and Tuner was once again a headline act."
FYI COL Mikel J. Burroughs LTC Stephen C. LTC Wayne Brandon LTC Bill Koski Maj Bill Smith, Ph.D. Capt Seid Waddell Capt Tom Brown Maj Marty Hogan MSG Andrew White SFC William Farrell SSgt Robert Marx PO1 William "Chip" Nagel SPC Margaret Higgins MSgt Jason McClish AN Christopher Crayne SPC Tom DeSmet SGT Charles H. Hawes SSG David Andrews
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PO3 Phyllis Maynard
LTC Stephen F. the others passed the song up because it was made for Tina and waiting for Tina. I was stationed in Charleston South Carolina when Tina and the song became the big buzz. I was really jealous and upset with Tina because I was the jolly fat pregnant girl and my son's father rolled over on the floor every time he thought about Tina. I screamed she's a figment of your wishes!
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